Selling Equipment to Make Room for New Equipment to shoot LAX games!

Well it is Lacrosse Season again and time for me to switch my photography gear to sports and action. Last year I rented a Nikon 300mm 2.8 lens and found it a great addition. But renting lens' for a season is prohibitively expensive and time consuming. So I am hunting for a fast prime Nikon or Sigma 300mm f2.8 or a fast f2.8 Sigma zoom lens, Nikon mount, with a top end of 300mm to purchase and add to my sports kit. If I make enough from my sale I might add a tele-converter to the mix to get me even closer to the action when there is enough light.  My old Tokina f4.5  80-400 zoom just isn't fast enough nor does it focus fast enough. To raise cash for my purchase I am selling some of my less used gear. Please go to ebay and check out my listings if interested. I am selling my Sinar F, my Graflex Crown graphic (renovated) 4x5 press camera , my Nikon 28mm PC lens and more to follow. I have also added two old but good camera bodies,  a Nikon D2H and a Nikon D2Hs to my sports kit. Old professional bodies with small, 4 meg, sensors that once cost $5K each. Why? because they shoot at really fast frame rates 8 per second, create raw files that are a manageable size and are built likes tanks! Check out Ken Rockwell's website where he talks about them being the best value for sports and action photography because that is what they were designed to do. I have been shooting with the D2H and have been impressed. I have a new ebay purchse of a D2Hs on the way! Of course my Nikon D600 still makes way better images overall. But for these action shots that hardly ever get enlarged past screen size these old camera's seems to be a way to prevent having to run every image through Photoshop to get the file size down to something managable . The D2H is good but the D2Hs has a bigger big buffer that will allow me to almost continuously shoot images at 8 frames per second with metering and focus. To get that with a current size sensor you still have to drop at least 5K. Quick continuous frame rate...just the thing for capturing quick moving LAX action if the light is good. They don't do so well in low light. My Nikon D600 will still by my go to for shots under lights. As a D4 is just not in my price range!


Here are links to the ebay postings if you are interested:
Sinar F 4x5 kit with accessories and case: Sinar F for sale on Ebay
Nikon 28mm PC F3.5 lens:Nikon 28mm PC lens for sale on Ebay
Graflex Pacemaker Crown Graphic 4x5 Press Camera: Graflex Crown Graphic 4x5 Press camera for sale on Ebay

See the photos below. More images on Ebay!

Graflex Crown Graphic - Renovated 

Nikon 28mm PC Lens

Sinar F with Wide angle bellows and accessories 

Sinar F in case 

Sinar F Camera 

Work Continues on the Crown Graphic Refurbishment

While it has been intentionally slow going the refurbishment of the Crown Graphic continues. I did not want to set any deadlines for this project as I have plenty of other things to do and to be stressed over. This has allowed me to do one or two small things a night and allow plenty of time in between for things to dry. The leather is all stripped and the wood has been, cleaned, sanded and refinished. Considering everything this camera has been through the wood that makes up the main box was in great shape. All the joints were tight and sturdy. No re-gluing required. The last week has included the patching of the bellows. The leaking bellows was what started this whole process in the first place. Bellows repair has actually gone better than I originally expected. If it holds I will be quite glad that I did not pay for a new bellows. If it doesn't that always remains an option and iI now know what would be required to remove the bellows from the rear box/standard. I have placed black fabric sports tape on the inside at the bellows points where light could be seen coming through. It seems to adhear well, is flexible, flat black so it should not cause light bounce and seems to work fine when the bellows is openned and closed. The pleats still seem to fold properly. Then I used high flex black silicone caulking to seal the rubberized coating on the bellows exterior. The result seems to be a good seal, light tight and first impressions are that it should be pretty durable. The caulking seem to be appropriately pliable. The rest of the rubber on the bellows seems to be in pretty good shape.

The more I work with the camera the more I am convinced it was underwater for a time. I have been reluctant to take it completely apart. Instead I have chosen to stay focused on fixing the parts to get them functional with a little less emphisis on appearance. I decided last night to reinstall the range finder. It does not fully function as far as I can tell but since I have the parts it went back on. It is brighter now that it was cleaned inside. Should I decide that this camera is for carting out to the field and that I want it to be as light as possible it might get taken back off.

I am now in the process of putting it all back together. After I put the front standard back together i will start testing how well it opens closes. One of my next big steps will be to craft a replacement leather strap for the handle. I am also thinking about ideas for a button/cap for the case opening mechanism. Right now it is just a wire coming through the hole. I assume there must have been a metal part that is missing. Time to get creative.

Photos to follow shortly.  

Graflex Crown Graphic Rehabilitation Project Starts

New Years day project starts

It is really silly that someone who takes as many photos as I do started a project without photos of the original condition. I can't believe that I did not take pictures before I started, I thought I had but cannot find them now. Oh well! Back in September of 2013, in a quest to find a light camera to replace my Sinar F for shooting 4x5 film outdoors, I purchased an old Graflex Crown Graphic, early 50's from the serial number list on Graflex.org. It was in really quite rugged shape but did not cost much $123 plus $12 in shipping at auction on Ebay. The lens has fungus and many cleaning scratches, the shutter sticks on slow speeds, the bellows leaks, looks like 5 holes in all at the corners and the leather the leather covering was shot. From what I can tell this camera was likely in a flood. As it came from down south it might have been a hurricane. Regardless this camera has been badly abused. The leather and paint was cracked and pealing especially on the front bed but really on the wood parts as well. But she is complete with all her parts and the working mechanisms seem to function fine. When I realized she was going to take a fair amount of work to make into a working camera again I decided to put her aside and I purchased a bargain price Graflex Super Graphic which is now all set up as a working camera with my glass from the Sinar.

So over the New Years holiday I started the job of figuring out what to do with her. I had come to the conclusion that I was not going to try to restore her. I just wasn't in the mood to buy leather and do the whole recovering thing and have seen some nice looking Graflex cameras with the leather removed. Since the leather on mine was in such bad shape I have decided to go that direction. Hard decision but I plan on exposing and refinishing her mahogany wood box. I plan on stripping the old paint off of the painted graphlock back and other metal parts and repainting them. Still not determined if I am going to paint or leave bare the drop bed. I have seen them both ways.  I may put the view finder that mounts on top back on but may leave the rangefinder off for weight savings. Since I would likely use her as a handheld so I might be looking for a replacement lens and shutter that works. Plenty seem to exist and if I am patient I hope to not pay too much for. I can always use the 135mm I have on my Super Graphic Lens board. I think they are interchangeable.

The leather seems to be glued on with some kind of water soluble glue. so I have been soaking it and gently removing it with a sharp paint scraper being careful not to dig into the wood.  It is coming off fairly easily. The glue on the metal parts is a bit tougher. More photos to follow.



Side view with leather coming off. Bellows has 5 holes at pointed corners, very common!  




Front View

Side view - Leather handle brackets have been removed. Missing bed drop "button".

View of Front Standard, Bellows on this side seems free of holes.

Looking for Smaller, Lighter, Easier

So I have embarked on a project to have a smaller, lighter, and easier camera to do 4x5 film photography. The camera I have been using is a Sinar F and while it is a dream of camera in terms of interchangeability of parts, amount of movements and quality it is just too heavy and slow for me to use when I am out in the field. As I looked at good field cameras I just wasn't going to spend a fortune so I have been bargain hunting on E-bay and am now the proud owner of an old really beat 1950's Graflex Crown Graphic and and a Super Graphic. The Super Graphic is missing its ground glass focus panel. The goal has been to find, at really low cost an alternative to the Sinar which I can keep in the car and take with me if I hike someplace with minimal gear. The Sinar while a great camera was never intended to go into the field unless it was manned by a crew. Once the prefect camera for shooting architecture and interiors but in those days the team consisted of a photographer and one or even two assistants.

I will post some photos of the cameras in there current conditions. If I decide to make the Crown into a fully working camera I will have to restore or re purpose it. The leatherette skin is shot, the bellows has holes in it and the overall camera is stained and dirty. I suspect it was in a flood or at the least stored in a garage or barn for many years given the accumulation of residue. But the price was right. It will require some TLC in any case.

The Super Graphic is in better overall working condition, the bellows is light tight, the movements all work and by being a Super, it gives me more of the movements I might expect had I actually gotten a real "field camera". Funny I don't find myself using that many movements even with the Sinar outdoors but we will see. I am curious to experiment with more selective focus and shallow depth of field and slower exposures. Something that I find problematic with digital cameras. The real problem with the Super Graphic is that it is missing the ground glass focus panel. Even if the rangefinder worked I can't seem myself handholding this or using it as my focus methdod. So solving that problem is paramount if it is going to really be a working camera. Graflex completely re-desinged these parts for the Super Graphic so the Graflock back from the Crown will not mount to the rotating back of the Super without removing the slider clips necessary for attaching roll film backs etc. I am presently awating a Cambo back which I have been told does mount to the Super's rotating back. So the journey commences.

All this because I still want to shoot "film" even thought my Nikon D600 cranks out really great, sharp, high resolution images that don't require any of the processing, scanning and photoshoping that is necessary to simply get a film image up on the web or printed. I don't have a real drakroom so my process is a hybrid of analog film and digtal. In the end I am hoping to still do really large prints. I have a good color plotter that prints up to 48" wide and I would like to create images that  hold together at that size. The Nikons full frame sensor gets me pretty close and it is a consumer grade semi pro piece of gear. In the past I would have needed a Leaf or Sinar digital back. But you can almost do it now with consumer grade equipment.  In the end this may still be a fools errand as color transparency film, labs

Still Waiting for New Instant Film

When will the New 55 project actually have a product? When I began to dabble in analog film photography again after a long 20 year break I quickly realized that the world had changed. In the old days commercial photographers would use instant film to verify that their composition, exposure and camera where as expected. This would give them a high degree of predictability insurance against the human goofs that can and do occur during a photo shoot. Using the "Polaroid test shot" was the way I learned to prep for a shot which could sometimes take hours to compose, focus, light and adjust. As the saying goes time is money and while not the least expensive thing in the world Polaroid film was far cheaper then taking everything down, going home, waiting a couple of days for the lab and then finding out that your shot isn't any good. While I was not shooting for profit or gain this helped prevent the inevitable disappointment from having a lot of bad sheets of film. The products and materials that simply were no longer available in the market became a real obstacle.

So I have been following with some interest the development of "New 55". It is a skunk works project that has been attempting to develop not just a replacement for Polaroid 55 black and while instant 4x5 film but an improved product. One that would produce not only a good posative but also a good working negative. With Fuji leaving the 4x5 instant filme market what choice do we have but hope that some other creative entrepreneur is successful at bringing new and improved products. Unfortunately while they seem to be making good technical progress they are finding funding and capital to launch the actaul production of the new product very difficult. This means that what looked to be just around the corner a few months ago is pushed out even further. I will post a link to their blog here, look to the end and also place it in the resources section so that if you like you can read the actual post by the developers themselves. We can only hope that as the economy improves someone with capital will find this a viable investment. New 55 Instant Film Blog

Stay tuned and keep your fingers crossed.

New55 Film: New55 and 20x24 demonstrate instant color 8x10 wit...

New55 Film: New55 and 20x24 demonstrate instant color 8x10 wit...

So I was googling around the Internet and found this link. It seems these guys are working on a totally new form of instant photographic film material. It produces positive images and negatives at the same time with little or no waist. Wow! Link to Flicker slide show of images

I will be doing more research into this. This would be a fantastic thing for those of us who would like to find a more logistically feasible analog photographic process that allows us to use our large format cameras!!