Work Continues on the Crown Graphic Refurbishment

While it has been intentionally slow going the refurbishment of the Crown Graphic continues. I did not want to set any deadlines for this project as I have plenty of other things to do and to be stressed over. This has allowed me to do one or two small things a night and allow plenty of time in between for things to dry. The leather is all stripped and the wood has been, cleaned, sanded and refinished. Considering everything this camera has been through the wood that makes up the main box was in great shape. All the joints were tight and sturdy. No re-gluing required. The last week has included the patching of the bellows. The leaking bellows was what started this whole process in the first place. Bellows repair has actually gone better than I originally expected. If it holds I will be quite glad that I did not pay for a new bellows. If it doesn't that always remains an option and iI now know what would be required to remove the bellows from the rear box/standard. I have placed black fabric sports tape on the inside at the bellows points where light could be seen coming through. It seems to adhear well, is flexible, flat black so it should not cause light bounce and seems to work fine when the bellows is openned and closed. The pleats still seem to fold properly. Then I used high flex black silicone caulking to seal the rubberized coating on the bellows exterior. The result seems to be a good seal, light tight and first impressions are that it should be pretty durable. The caulking seem to be appropriately pliable. The rest of the rubber on the bellows seems to be in pretty good shape.

The more I work with the camera the more I am convinced it was underwater for a time. I have been reluctant to take it completely apart. Instead I have chosen to stay focused on fixing the parts to get them functional with a little less emphisis on appearance. I decided last night to reinstall the range finder. It does not fully function as far as I can tell but since I have the parts it went back on. It is brighter now that it was cleaned inside. Should I decide that this camera is for carting out to the field and that I want it to be as light as possible it might get taken back off.

I am now in the process of putting it all back together. After I put the front standard back together i will start testing how well it opens closes. One of my next big steps will be to craft a replacement leather strap for the handle. I am also thinking about ideas for a button/cap for the case opening mechanism. Right now it is just a wire coming through the hole. I assume there must have been a metal part that is missing. Time to get creative.

Photos to follow shortly.  

Film Processing and Printing Resource - Ilford Lab Direct

Ilford Lab Direct









As you know I have an interest in film photography. I have for some time been trying to learn what resources are available to the film photographer especially those working in large format. While I am not going to pine on about the demise of analog photography I have noticed that resources, services and products are still becoming harder to access. The local film lab in my city while still developing C41, E6 and Black and White is doing so on a much less frequent basis causing me some concern about the freshness of chemistry when they do actually do a run. C41 seems to still be getting run more frequently than E6 which is now less than one time a week.

As such I am posting this link to a resource I recently came across. I also put a link in the Information and Inspiration section of this blog which will take you to  to the Ilford Lab Direct. They provide film development and film printing and scanning. As best I can tell while they develop, print and scan roll film sizes, they only develop/process large format film 4x5, 5x7 and 8x10. It does not appear they will scan or print those sizes. They do however process both C41 and E6 along with Black and White using Ilford chemistry. I would assume that anyone going into this business linked to a manufacturer would have reasonable quality standards but I have not yet used them myself. I don't have a dark room and at this time don't have the time or desire to set one up. My work flow is to shoot film, wet scan it with the Epson V700 Pro flat bed scanner and then print photos using various ink jet or laser printers I have at my disposal.

If anyone has used this service please leave comments for me and others.

Vivian Maier - An urban street photography addiction

Photograph by Vivian Maier

For many photogrphy is about capturing "pretty" images. I certainly have not issue with landscape photography, the capturing of natural beauty or at times even the sentimental beauty that one sees in a lot of photographic work. The capturing of every day and urban images however is not so easily understood and I have come across several historical photographers that did so with excessive compulsion. They pursued the capture of these images with seemingly little or no outlet or expecation that someone would ever see their work. Like many of us the capture and production of the images was far more important or compelling than the promotion or marketing of these images.

I recently came upon a photographer Vivian Maier,who seems to be quite the unusual example. For starters she is a woman. Aspinsterish woman who supported herself primarily as a nanny who also photographed her world with excessive compulsion. The fact that she was a woman, this single fact may have meant that she did not stand a chance of ever being noticed by an art culture that focused predominantly on men with a few notable exceptions.  As someone who has an affinity for photographing architecture, the urban environment and the more familiar things of may daily world, things not always thought of a "pretty" her work is extrordinary. What an unusual combination this quiet care giver living much of her life in upscale suburbia making these amazing images of the urban, the poor and the ordinary or our world.  These images have a quality to them that are quite compelling. Clearly she worked at her craft as these are not just snapshots. They come out of a deep knowledge and familarity with her subject, tireless compostion and timing and a relentless pursuit that borders on excessive compulsion. She had caputured thousands of images when she died many of which were on rolls of film which had not been developed as she had become destitute and homeless losing access to her darkroom. Take a look at these amazing images and remember that these images were caught on film when you had to calculate your exposure, depth of field in your head and when there were no autofocus or exposure computers. You could not just shoot 40 frames at rapid fire to get it just right.
http://www.vivianmaier.com

Focusing Screen Success - Cant wait to start taking photos

So the Cambo/Calumet ground glass focusing screen arrived and it works perfectly. It mounts without any additional modification to the revolving section of the Graflex Super Graphic camera back. I shot a couple of instant film images and the Fuji 405 instant film back insets and seats without issue. Something that it will not do with my Sinar F. So I am very happy about that. The Polaroid 4x5 film also inserts and seats without issue but since I am down to my last pack of Fuji FC100c45 film I won't matter. Well unless either the Impossible Project or New 55 starts to make film again that is actually 4x5.  Here are the photos of the new camera. I can't wait to load up some film holders and take it out into the field and take some photos. I will also be posting some photos of the beater Graflex Crown Graphic that I have. I am trying to decide if I am going to restore it or put it up on E-bay and unload it.

On another related front the older Soligor 1 degree Spot meter that I picked on E-bay for $15 is working and appears to be correct when tested against my digital cameras. It took a little creativity to solve the missing battery cover issue. But a little Yankee ingenuity to make a retainer spring clip to hold the hearing aid batteries in place and viola "success". My transportable, low cost (cheap!!!) 4x5 film, field camera set up is almost all together.

Front View Graflex Super Graphic Camera

Side View

View of Cambo Ground Glass focusing back with extra deep spring clips. Mounts perfectly where the missing Graflex back should normally mount.

Front View with camera bellows sliding back ready to be closed up.

All closed up. This makes a nice tidy package compared to my Sinar F. Much easier to put into a back pack.

The Cambo/Calumet focusing back easily mounts and removes without needing to modify the slide clips or other parts of the camera. It has enough depth to accept instant film backs and seems to work perfectly. The Super Graphic has more movements than older versions of the Graflex press camera with a sturdy aluminum box. Not all the bells and whistles that some field cameras have but also not the cost.